Brief History and Background of Synthesizers

Synthesizers are electronic instruments that are capable of producing a wide range of sounds, notes and effects. The sounds can either mimic very closely a real acoustic instrument or create an entirely new timbre. Because of this, synthesizers and electric keyboards are invaluable to bands who like to produce unique and interesting sounds. They are ideal for musicians who have a creative streak and like to experiment with different frequencies notes. They are also great for musicians who want a full band sound but want to play solo. In this way they can create and record all the instruments for their song to play along to on their own. Here is a brief history and background of modern synthesizers.
The very first synthesizer was built back in 1876 by Elisha Gray. However, the early prototypes were very different to what you get today and took many years to make it to the mainstream. It wasn't until 1964 that the first commercial synthesizer was introduced by Robert Moog. The development of synthesizers continued in the 1970s where the public saw the production of small, compact synthesizers that were portable and could synchronize with other electric instruments. During this time, forward-thinking bands were already experimenting with synthesizers to great success. Bands like the Monkees, Rolling Stones, The Doors, The Beatles and more had already started to play around with them and feature them on their albums starting in the 1960s.
While early synthesizers were analog, today they generate sounds through digital techniques. There are many different types of synthesis available as well, which can be a bit confusing if you are not familiar with the instrument. For example, the simplest form of synthesis is the sample-based synthesis. This involves taking a digital recording of an acoustic instrument and manipulating it as you play it back. Then there are more sophisticated forms of synthesis such as physical modelling which involves using a set of algorithms and equations to simulate real instruments.
Another integral part of any synthesizer is the ADSR envelope. This stands for Attack Decay Sustain Release. The ASDR takes into account the change in sound over time that musical instruments produce. For example, the attack and decay will have a significant effect on sonic character of the instrument. The ASDR envelope can be implemented into the synthesizer in a variety of ways such as by a discrete circuit or module or else implemented into the software. Synthesizers also use a variety of different control interfaces. While the most common and popular control is by fingerboards (keyboards), there are other controllers as well such as wind controllers, guitar-style interface, drum pads and music sequencer.

Elvis Made Rockabilly Music Seem Like a Natural Outgrowth of Rhythm and Blues and Country Music

Lots of people credit the great Elvis Presley with inventing rockabilly music. While many people will argue just as strongly against that hypothesis as others will for it, one thing is for certain: It was Elvis who brought the music to the attention of the world.
There were other acts in both the Blues/Rhythm and Blues as well as country music genres that one could hold up in an argument as performers who were playing rockabilly music before Elvis came along. There is no doubt that Junior Parker and other Sun Records blues artists were recording music that was very much like rockabilly. On the country side, hillbilly boogie music was just a bit less fiddle and steel guitar and some drums away from rockabilly. The Maddox Brothers and Rose were creating recordings that many consider to be the first rockabilly way back into the late 1940s.
Still, it was Elvis that took these disparate influences and melded them expertly into the first recordings that nearly everyone can agree is unarguably rockabilly. Elvis drew from both sources (along with his background in gospel music) to create his unique sound. He drew from rhythm and blues for some of his earliest rockabilly recordings like "That's All Right," "Mystery Train," and "Hound Dog." At the same time, he reached back to his country roots too with songs like Bill Monroe's classic "Blue Moon of Kentucky," "I'm Left, You're Right, She's Gone," and "I Forgot to Remember to Forget."
But more than the songs he chose to record, he dipped deep into the influences of the musicians he'd listened to growing up. Blues men, country gentlemen, wild rhythm and blues acts, and raucous gospel choirs all left their mark on the King and they helped to form the boy who would become the greatest rock and roll star the world has ever known.
And the thing that was most amazing about Elvis is that in melding these musical influences so seamlessly, he made it seem like it was a totally natural and logical step in the progression of music. After Elvis convinced everyone that this new music made perfect sense, many other artists broke through with their versions of rockabilly. These artists built upon what Elvis started. Some were wilder than Elvis. Some were more polished than the King in his early days. But none made a bigger impact.
No one would ever again question whether what these cats were doing was real. (Well, there were the establishment "grow ups" who fought against it, but rock and roll proved them epically wrong!) That's because Elvis made it real. He made is seem natural and no matter how unlikely it seems if you analyze what happened that anyone could marry the blues with country music to create a completely new sensation, that's exactly what Elvis did. They don't call him The King for nothing!

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