Is It Easy to Learn to Play the Guitar?

This sounds like an easy question, does it not? Maybe it is or maybe it is not. To illustrate the point, let me ask the question in a different way. Is it hard to learn to play the guitar? Can you guess what the answer is. Yes, you are right. Maybe it is and maybe it is not.
The answer to the question lies in the way the question is asked. The first question is asked in with a positive slant - using the word easy, whereas the second question has a negative slant - using the word hard.
In my opinion, the person who has the positive attitude to playing the guitar will make much faster progress in learning the instrument than the one with the more negative attitude. It goes back to the old question - Is the glass half full or is it half empty?
Successfully learning how to play guitar is within the grasp of most people, yet many beginners give up too quickly. Frequently, quitting beginners will blame their lack of time to practice and that playing hurts their fingers. The problem is that they just don't practice enough. The internet has hundreds of web sites that even offer free lessons, most of which are very well designed and can certainly be applied to your practice routine.
Learning to play any instrument can be frustrating, but it is generally well worth the effort to persevere. People who play well make it look so easy and effortless, but you can be assured that they were not born with the ability to play that instrument. It takes hard work to get that way. Many will probably say that it was not work at all, but simply lots of practice.
This returns me to my previous question of whether it is easy or hard to learn how to play the guitar. A positive attitude and plenty of practice, even though your fingers are sore will go a long way to playing the guitar. The sore fingers will quickly get better and you will not even notice that aspect of playing in a sort while. There are so many resources on the internet and elsewhere to help you learn to play the guitar. Speak to people who already play and you will find that most of them will be very enthusiastic about helping you to play.
Go on. Take the plunge. Learn to play the guitar. There is nothing to lose and so much to gain

Rockabilly Music Rubbed the Establishment The Wrong Way

Perhaps it's an age-old truth that the older generation doesn't understand the music of the youth. I don't know whether the kids of Mozart's age caught the same kind of flak from their parents for listening to his music, but there's no doubt that rockabilly and early rock and roll music stirred up a hornet's nest of parental disapproval among the parents of the 1950s! And rockabilly artists were particularly despised because of their rebel attitude and appearance.
No one quite knew what to make of Elvis in 1954 after the release of his first few Sun Records sides, starting with "That's All Right" backed by a hepped-up version of Bill Monroe's "Blue Moon of Kentucky." They didn't know where to put this kid because he was a little bit of a lot of things. They tried to stick him into the country category and indeed he soon started racking up the hits on the country charts.
But the country establishment didn't really want him. He did appear on the Grand Ole Opry a time or two, but soon was banned from performing there again because his salacious moves and raw sensuality offended the powers that be in country music. They were happy to ride his hit-making machine in order to share in the profits; they just didn't want to be seen with him!
Perhaps they thought about calling him rhythm and blues since he was also pulling from the R&B catalog for songs like "Mystery Train" and "Hound Dog" and had a very R&B performance attitude. And in fact, Elvis also saw unprecedented success on the R&B charts. But there was no getting around it: he was white. And a white boy couldn't really be an R&B performer.
Of course, Elvis was also a smash sensation on the pop charts, which is where he eventually landed. So that was it--Elvis would be a pop star. But the adults were not much more excited to see him there than anywhere else. Those kinds of moves, that "raunchy" attitude, well that was pretty much what "decent" white folks from the racist America of the 1950s could expect from those "race musicians" who were singing that "awful" R&B music. But it was totally improper behavior for any respectable white boy. And completely out of the question for white teenaged fans.
Of course, all of these narrow-minded attitudes only fueled the rockabilly flame. Soon it wasn't just Elvis who was crossing these barriers of music and manners. Carl Perkins, Johnny Cash, Sleepy LaBeef, Eddie Cochran, Buddy Holly, Gene Vincent, and so many others kept pushing the boundaries and taking the music--and the fans--to new heights of frenzy.
Rock and roll was here to stay. Many people tried to kill it. Others, like Dick Clark, tried to tame it and tone it down with mushy manufactured artists singing much more polite material. The establishment wanted their nice, ordered world of teenagers back. But they couldn't hold the music. They couldn't hold the personalities. And they couldn't hold their kids. And they still can't!

Rockabilly Instrumental Music Played Its Part In Rock And Roll History Too

One of the characteristics that people most often think about when they think of rockabilly music is the famous "hiccupy" vocal styles. Elvis, Buddy Holly, Carl Perkins, and many others used this technique to different extents when recording their seminal rockabilly tracks. But rockabilly music wasn't always about the vocals. Several great rockabilly instrumentals hold their place in rockabilly history as well.

• Bill Justis, "Raunchy": "Raunchy was the first rock and roll instrumental hit and reached #2 on the American charts in 1957. It was recorded by Sam Phillips in his Memphis Recording Service studios and released on his Phillips record label. The record sold over a million copies and set the stage for future rock instrumental hits. The sax sound on this recording is nasty. Nasty but beautiful!
• Link Wray and his Wraymen, "Rumble": Link Wray is one of the icons of 50s instrumental rock and roll and "Rumble" is as evil as it gets. This is actually a very simplistic song and the guitar work is not all that complex, but it has tons of attitude and no one could dare complain! If there is one defining rock and roll instrumental, this might be it.
• Duane Eddy, "Rebel Rouser": Eddy is another of instrumental rock's crowed princes. "Rebel Rouser" is also another signature tune of the genre. Starting with Eddy's tremolo guitar sound seeped in reverb, this one is a precursor to the surf guitar sounds of the 60s. It then launches into another nasty-sounding sax solo and ends off on a key change. You didn't hear too many key changes in rockabilly music and this is one of the most famous!
• Joe Maphis and Larry Collins, "Hurricane": Larry Collins was the impish little-brother half of the Collins kids. Larry and Lorrie were literally just children when they started making hit records. While most of their songs featured Lorrie's vocals, it was often little Larry--a guitar wizard at the ripe old age of 10--who stole the show with his jumping-bean stage antics and blazing guitar work. Country star Joe Maphis--also an amazing guitarist--served as Larry's mentor and they often performed together with their signature double-necked guitars. Sometimes they both played one neck of the same guitar. "Hurricane" is about as wild as it gets and squeezes more notes into less than three minutes than just about any other song I can think of. These guys prove that "shredding" didn't start with Eddie Van Halen!
• Arthur Smith, "Guitar Boogie": For those who insist that rockabilly music started in 1954 with Elvis, I submit this gem from Arthur Smith. Recorded in 1948, this is pretty darned close to rockabilly if you ask me! This is a wonderful guitar-based song with the lead work done on an acoustic guitar instead of the twangy electric guitar featured in most rockabilly songs. If it isn't rockabilly, then it's certainly rockabilly's roots!

Those are just five instrumental tunes that prove that rockabilly wasn't just about the vocals. Rockabilly instrumentation and virtuosity often didn't get its rightful due, maybe because the music evoked such a happy-go-lucky, fun-loving vibe that people forgot to notice just how good those players really were. These rockabilly instrumentals, along with scores of others, give the instrumentalists a chance to show off!

Priyamani More Hot

Sizzling South Indian beauty Priyamani, who played Ethnic role of Gangula Bhanumati, Suri Maddelachervu wife (played by Surya) in director-writer-producer of the Telugu, Hindi, Ram Gopal Varma Tamil in three languages Rakta Charitra upcoming movie, said he was initially afraid of working in Ram Gopal Varma movie.

National Prize for the actress to share her experiences of participation in Ram Gopal Varma with Rakta Charitra. "Nevertheless, my first trip to Mumbai to complete the survey has changed my perception completely. Working with RGV is a great experience and easier to deal with a lot," says Priyamani. The Director made the final decision to quit Priyamani, after he was impressed by her work in Paruthaveeran, won the National Award, she says.

Starring Vivek Oberoi, Shatrughan Sinha (Hindi), Mohan Babu (Telugu) and Radhika Apte in the lead roles, Rakta Charitra is the story of the rebels turned politician Paritala Ravi (Vivek Oberoi), one of the worst players in the blood, politics of South India. The film, currently in production, will be released in late 2010.

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